Archives, historical societies, and museums
today have inherited the task
of caring for a swelling mass of audiovisual
materials. A 2005 Heritage Health Index
survey calculated a staggering 2,423,568
moving image collections and 2,189,992
audio collections safeguarded within the
United States alone. Alarmingly, more than
40 percent of audio and video collections
are maintained in unknown conditions. The
same report concluded that many cultural
institutions lack essential resources to care
for these artifacts. These collections are
in peril if left unattended, as over time the
fragile plastic-coated tapes can deteriorate
and fail to play.
Feature Article
Set in Stone
Stonework must surely rank as one of
the oldest of folk arts, if only for the
longevity of the material used—hence its
presence in the historical record. While an
immense but finite supply of wood drew
Europeans to the shores of North America,
once they had exhausted local forest stands
through clearing, burning, ship building,
and construction, stone became the material
of choice. The ensuing works in stone
have been the longest lasting remnants of
vernacular architecture.
Chicago Folklore Prize Winner:
On behalf of the New York Folklore Society’s executive board and the editorial
board of Voices, I want to congratulate Faye McMahon for winning the American
Folklore Society’s 2008 Chicago Folklore Prize with her outstanding book Not Just Child’s Play: Emerging Tradition and the Lost Boys of Sudan, published by the University Press of Mississippi in 2007. It brings all of us great happiness to see Faye receive this richly deserved award….According to the American Folklore Society’s web site, the Chicago Folklore Prize, “awarded to the author of the best book-length work of folklore scholarship for the year, is the oldest international award recognizing excellence in folklore scholarship.”
Mikvah Musings
The Friday before my wedding in November
of 2007, I drove to Mayyim
Hayyim, a new-style mikvah, or ritual bath,
in Newton, Massachusetts. Accompanying
me were my sister Lois and one of my oldest
friends, Roz, who had flown in from Seattle
for the event. Mayyim Hayyim (Living Waters)
was founded by Anita Diamant of Red
Tent fame. She had once visited a mikvah and
been underwhelmed by the experience. She
knew that there had to be a reason why this
tradition of dunking oneself had persisted
through the millennia. It couldn’t just be
about purifying oneself for one’s husband.
There had to be more.
How the FBI Proved that My Father Wore Overalls:
My late father, Samuel Margolis, was
unwittingly caught in the anti-Communist
hysteria of the early 1950s. His troubles
began when he was accused of being a
Communist by coworkers who disliked him.
He was investigated by the FBI and other
federal agencies and lost his livelihood for
several years, but he was eventually able to
clear his name.
Carving Out a Life:
I was born in 1950 in Doylestown, Pennsylvania.
I started carving at age twenty-two,
when my father gave me a gift of a
painted wood-carving he had made of me
at the farm where I grew up. This gift from
my father inspired me to begin to make my
own carved and painted pictures. Since then
I’ve made more than one thousand pieces in
thirty-five years. I think of my pictures as a
visual diary that helps me make sense of the
events and feelings of my life.
From Wild Man to Monster:
When the first European settlers
entered what is now New York
State and its environs, they brought with
them not only their material culture, but also
an array of beliefs in mythical beings. Such
creatures had been part of the European
psyche for centuries. A central character in
this pantheon was the “wild man” thought
to inhabit the darker parts of the European
countryside. Also known as the woodwose,
wooser, or “wild man of the woods,” it
was conspicuous in folklore between the
thirteenth and fifteenth centuries and holds a
prominent place in later medieval European
artwork and literature.
Xiao Xiannian:
It was a beautiful spring day in Chinatown when I stopped by the Mencius Society to talk with Xiao Xiannian, a virtuoso of the Chinese hammered dulcimer known as the yangqin. Housed in a building on Grand Street near its intersection with Delancey, the Mencius Society—also known as the AiCenter, formerly the Wossing Center—provides instruction in Chinese and Western musical instruments, as well as a number of other arts education programs for youth and adults. It is also the home base of the EastRiver Ensemble, one of New York’s leading Chinese music groups.
Fieldwork, Memory, and the Impact of 9/11 on an Eastern Tennessee Klansman:
I wish to share a personal account
of my first folkloristic encounter: the series
of events that led to my choice of a
career in folklore. While many folklorists
may recall their excitement and fascination
with their first informants and the unique
narratives or artifacts that they produced,
my tale involves near-accidental fieldwork
in the company of a less-than-savory group
in American society: the Ku Klux Klan
(KKK).
The Vodou Kase:
Focusing inquiry on the kase, a drum pattern strongly associated with spirit possession, I compare episodes of transcendence that occur in Hall’s class [Pat Hall Dance and Movement Class, Brooklyn] with possessions that occur during the rites of Afro-Haitian Vodou, during acoustically similar if not identical performances. Reflections derive from documentation of classes; interviews with the instructor, lead drummer, and selected students; and my participation in classes. I argue that various experiences of transcendence in the class occupy points on a continuum, that the same may be true in the temple, and that an area of overlap may pertain. These statements challenge the divide between sacred and profane and bring nuance to notions of music and spirituality.
Saint Rip
Patron saint of the Catskills, Rip Van Winkle has belonged to all America, coast to coast, almost from the moment he was born, by passage through Washington Irving’s pen, in 1819. Only seven years later there was a Rip Van Winkle House along the road from Palenville to the nation’s first resort hotel, the Catskill Mountain House; in 1850 there was another Rip Van Winkle House on the corner of Pacific Wharf and Battery Street in San Francisco. Rip’s real-life presence was attested by nonagenarians who claimed to have known him and his hectoring dame.
Diego Obregón:
It was another dog day in August 2009 when we joined Diego Obregón for an interview at his Woodhaven, Queens, apartment. Diego kindly agreed to meet us at his home so that he could play a few tunes from his native Colombia, along with his vocalist Johanna Casteñeda. There in the basement, over the hum of the air conditioner, the sounds from his marimba (wood xylophone) were magical—all at once playful and effervescent—and with Johanna singing the traditional tune “Mi Canoita,” the sounds from Colombia’s Pacific coast spilled out over hot pavement.
The Grateful Terrorist:
The folktale of the grateful dead was
once widely known and passed on through
both religious and secular traditions. Today
most people would conjure an image of
the popular rock band, which is said to
have found its name from this story, as
well…. The story has evolved
throughout history in response to society’s
psychological coping needs during times
of crisis. This mythic theme has resurfaced
from the earliest Judaic scriptures to
contemporary urban legends.
North by Northeast:
The Hudson Valley Quadricentennial
in 2009 spurred all kinds of
special celebrations in cities along the
Hudson River, from flotilla parades and
festivals to art fairs, music performances,
and exhibitions…For its part in the Quadricentennial celebrations,
the New York Folklore Society commemorated these still-thriving cultural
traditions with “North by Northeast: Baskets
and Beadwork from the Akwesasne
Mohawk and Tuscarora.”
Bagels and Genres
Conversations about bagels have something to teach us about the nature of genres and the study of material culture. I realized this a few years ago as I was sitting in an Einstein’s Bagels in Las Vegas that was decorated with standardized murals imitating 1930s Bauhaus design. I remembered a conversation with a friend a decade earlier about the authenticity of modern-day bagels—or lack thereof. But as I glanced at the “traditional” preparation with lox and capers alongside the sun-dried tomato variants, it occurred to me that it might be a false competition.