For almost four decades, b-boying,
otherwise known as breaking or
break dancing, has been a staple of New
York City street life. B-boying is an artistic
and improvisational mode of non-verbal
communication and competition between
individuals and groups, usually in relationship
to music. It arose out of the streets of
the South Bronx in the early 1970s and, at
times, became an alternative to gang fighting:
that is, a non-violent resolution to the
problems of the street through the creative
use of the body, mind, and space without
weapons.
Dance
An Inside View of Contra Dancing in Brooklyn, 2015
Brooklyn Contra is the latest addition
to a contra dance subculture that for over
half a century has been hidden in plain
sight among the glittering distractions of
New York City. The latest contra dance
growth spurt started some 15 years ago at
the Manhattan contra dance series, when
an influx of younger dancers arrived on
the scene and kept coming back every week
for more.
The Danzaq of South Peru in New York
This article discusses, from the perspective of transnational cultural studies of performance-based symbolism, the practice of New York-based dancers, who learned the tradition in urban migrantcommunities in Lima and have practiced the dance there, as well as in the rural settings of their origin and now abroad in the US.
Steppers with Class
Yennnayer in New York: Indigenous Algerian Resistance and Dance in Brooklyn
North African dancer and teaching artist, Esraa Warda, reports on her fieldwork in Algerian communities in Brooklyn, New York.
Hog-Rassle: Impromptu Behavior at Old-Time Square Dances
Dance historian and ethnomusicologist, James Kimball, examines the term, “Hog Rassle,” as it refers to an unruly and energetic square dance.