Starting on Monday, September 7 and running through Friday, September 11, people throughout the country will create grassroots memorials dedicated to naming the lost who have died from Covid-19. In homes and yards, on street corners and stoops, in cities from Portland to Austin to Brooklyn, these memorials make our grief visible. This “labor of mourning” is initiated by Naming the Lost Memorials, a group of artists, activists, and folklorists who have been making public awareness memorials in New York City since May. They invite people everywhere to join them in making memorials during the week that begins with Labor Day on September 7 and ends with the 19th anniversary of September 11, 2001, when spontaneous memorials arose throughout New York City in response to the deaths of nearly 3,000 New Yorkers in the attack on the World Trade Center.
As the United States nears 200,000 deaths due to Covid-19, Naming the Lost Memorials sees grassroots memorials filling a real need. “There has been no national day of mourning set aside for the Covid dead,” says folklorist Kay Turner. “So many people died alone, and burials and rituals have been deferred. While heads of state do not perform their solemn duties to comfort the afflicted and mourn the dead, the rest of us rise to confront this tragedy.”
Born in New York City, Frank DeCaro was a Professor of Folklore in the English Department of Louisiana State University from 1971-2004. He was the first Chair of the Louisiana Folklife Commission and was the editor of “The Louisiana Folklife Miscellany”. He was much loved by his fellow folklorists for his humor and generosity. He had a distinguished career as a folklorist. He died from COVID-19 in March 2020. We mourn his passing.
Those who are interested in participating in Naming the Lost Memorials can visit www.namingthelost.com/memorials to learn how to make a memorial, find public resources for researching names and stories of the dead, submit photos and videos to the archive, and more. During the week of creation, participants are invited to share their photos and videos using the hashtags #namingthelostmemorials and #namingthelost.
“Creating the memorials has been a way to recognize and honor those who have been lost, but also a way to connect us as a community as we work with artists, activists and scholars on this project–finding ways to not feel alone, to contribute and give back to our communities and lastly, to give voice to our disappointment, anger, and sadness concerning the way this crisis has been handled by those in a power,” said Elena Martinez, volunteer organizer of Naming the Lost Memorials.
Yitzhak Levy-Awami of Brooklyn, (on the left) was a wonderful dance teacher of Yemeni Dance traditions who participated in folk arts programs of the Brooklyn Arts Council. He worked for 28 years as a Paraprofessional for the New York City Department of Education, working for 25 of those years at P.S. 205 Clarion in Brooklyn, NY. We mourn his passing.
In Schenectady, New York Folklore invites people to visit their memorial at 129 Jay Street, Schenectady from September 9 – September 11, 2020. We invite anyone to post a photograph or other remembrance to honor a loved one lost to COVID-19.
In creating these memorials, we invite you to join us, in the labor of mourning.
Calvin Kaintuck of Elmont, NY learned to ride horses in Baltimore, MD and started out as a “hot-walker” in the stables of the Pimlico Racetrack in Baltimore. He served in World War II, and when he returned from the war he studied electrical engineering. He made a career at Sylvania Electric in Oyster Bay, NY, all the while continuing to ride as an exercise rider at the Belmont and Aqueduct Racetracks. When interviewed for the Library of Congress in 2012, he was riding for trainer Cleveland Johnson, although he was 93 years old at the time. He died from COVID-19 in April 2020. We mourn his passing.
On May 1, 2020, New York Folklore and folklore programs across New York State will launch a collaboration to present traditional arts and culture from throughout New York State. Each weekday in May, from 4:00 -4:30 p.m., traditional arts activities will be presented through a livestream from New York Folklore’s Facebook page: https://www.facebook.com/New-York-Folklore-76410462500/
“May 2020: 20 Folk Artists/20 Days” amplifies the artistic excellence found within New York’s communities. To view this daily initiative, simply tune in to New York Folklore’s Facebook page each weekday in May from 4:00 – 4:30 p.m. to experience a free, live-streamed event by one of New York State’s folk artists or tradition bearers.
The initiative showcases the artistic excellence and diversity of traditional arts and culture in New York State. Folk arts and cultural expressions are nurtured and perpetuated within communities. They are shared by those who have common regional affiliations, ethnic heritage, occupations, avocational interests, gender, and many other identifiers of interconnection. Artistic excellence is determined by a shared community aesthetic with innovation occurring within the bounds of the interests and concerns of the shared community.
Partners: Coordinating and partnering organizations from throughout New York State include the following: New York State Fiddlers Hall of Fame, Glow Traditions, Long Island Traditions, Los Pleneros de la 21, Arts Mid-Hudson, Brooklyn Arts Council, Arts Westchester, Center for Traditional Music and Dance, Rochester Institute of Technology, and The Association for Cultural Equity (ACE). Presenting folklorists and cultural scholars include Karen Canning, Andrew Cowell, Hannah Davis, Julia Gutíerrez-Rivera, Elinor Levy, Jorge Arévalo Mateus, Ellen McHale, Chris Mulé, Aaron Paige, Naomi Sturm-Wijesinghe, Emily Socolov, Valerie Walawender, and Christine Zinni.
Many talented folk music groups are touring New York State in 2019. Below, find a sampling of upcoming performances, and get your tickets before they’re gone!
Click to view.
Picker’s Paradise: From Balkans to Bluegrass | featuring Tamburaški Sastav Ponoć (Pittsburgh, PA) and Danny Knicely’s Next Generation (Virginia)
5/10/2019, 7:30 pm and 5/11/2019, 7:30 pm at Troy Savings Bank Music Hall, Troy, NY
6/22/2019 and 6/23/2019 at Lake Placid Center for the Performing Arts, Lake Placid, NY
General Admission: $15
Student Tickets: $5
Check with performance venue to confirm dates and times.
Dust off your best dancing shoes and join us, in partnership with the Mid Atlantic Arts Foundation, for a fun-filled evening of dance and music that celebrates two virtuosic string music traditions—bluegrass and old-time from the mountains of Virginia, and Balkan music known as tamburitza from the urban community halls of Pittsburgh. Whether you are a beginning-level dancer eager to learn, active in the local contra scene, or a Balkan dance enthusiast, this special evening presents an exciting opportunity to learn traditional dances from master dance teachers and try the steps you learn to the playing of two great bands.
Country Blues and Dance | featuring Phil Wiggins Blues House Party (Takoma Park, MD) and The Harris Brothers (Lenoir, NC)
5/31/2019 and 6/1/2019 at Flushing Town Hall, Flushing, NY
Check with performance venue to confirm dates and times.
Throughout the Piedmont and Appalachians, shared musical traditions have existed for centuries that were equally popular among rural blacks and whites. This program explores the roots and connections of these regional rural music and dance traditions as expressed in the artistry of contemporary masters of tradition. Phil Wiggins, the nation’s foremost player of acoustic blues harmonica, leads an ensemble featuring Piedmont blues sounds that were once a staple of rural dance parties. With master dancer Junious Brickhouse, they “reconnect the dance with the dance music,” now most often experienced in concert (without dance). North Carolina songsters extraordinaire, The Harris Brothers, a delightful two-man band with a suitcase drum, draw from the many currents of vernacular music, including old-time, bluegrass, country, and mountain blues, that they were exposed to growing up in the North Carolina foothills of the Blue Ridge Mountains, a hotbed of traditional music.