The Sasha Polinoff After-Story:

Old-time Balalaika Music Meets Old-time Americana Music

Sarah Jane Nelson

Citation

Nelson, Sarah Jane. “The Sasha Polinoff After-Story: Old-time Balalaika Music Meets Old-time Americana Music.” New York Folklore, vol. 50:1-4, 2024. pp. 16-24.

Summary

This is the story of how seemingly disparate communities coalesced around a formerly prominent musician and sustained him in old age. As such, it takes place in comparatively humble or domestic settings and with a smaller audience. It is very much the story after the story. It begins in the closing decades of the 20th century, when Russians and all things Russian were no longer in vogue—particularly, in the wake of the McCarthy years. It begins when Lower Eastside nightclubs that once featured a variety of ethnic music, were losing patrons, in part, because their first-generation audiences had moved out of the City to the “burbs” and could no longer find a place to park.

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